In Blues for an Alabama Sky, the play produced this winter by Court Theatre, worlds collided: the Harlem Renaissance came to Hyde Park. According to Court’s executive director Stephen J. Albert “to explore and extend the African-American canon” is still Court’s long-term project. The theater’s appreciation of African-American art and culture are especially valuable to Court’s audience; he says Court’s audience “gets on its feet” to applaud “stories that speak to [its] own history.” Court sought to meet this demand this winter by producing Blues for an Alabama Sky, a story of the lives of five neighbors in Harlem during the 1920s—and to go beyond just meeting it, they added a two-month-long festival as accompaniment.
On January 7, a chorus of voices sang tribute to the beloved Chicagoan poet, Gwendolyn Brooks. Their hushed Logan Center audience heard selections from the new anthology Revise The Psalm, a collection of works celebrating Brooks’s life, published by Curbside Splendor this month to commemorate Brooks’s one-hundredth birthday.
His attitude toward music is focused on learning and self-challenge, and not on audience pleasure per se.
By improvising within the expansive, adapting forms of Negroland, [Jefferson] ends up incorporating more voices than her own.