Interviews | Radio | Stage & Screen

The Brightness of the City

Lena Waithe on her show 'The Chi'

Todd MacMillan

Last week, the Weekly sat down with Lena Waithe, a writer, actress, and producer best known as the creator of the new Showtime series The Chi, set on the South Side, and for her Emmy Award–winning work on the Netflix show Master of None. Just two weeks ago, Waithe, a native South Sider, won the Essence Black Women in Hollywood Vanguard Award. Here, she talks about being a queer Black woman in the public eye and giving space for tragedy and beauty in stories about Chicago.

Religion | Stage & Screen

The Shepherd

A short documentary celebrates the music and contributions of a trailblazing pastor

milo bosh

Last Thursday, a jubilant audience filled the Cindy Pritzker Auditorium at the Harold Washington Library Center in the Loop for a screening of It is No Secret: The Life and Inspiration of Rev. Clay Evans. The short documentary follows the life and activism of Evans, cofounder of the Fellowship Baptist Church in Fuller Park.

Education | Stage & Screen

Student Activism Takes the Stage

Hancock College Prep turns conflict, from the personal to the global, into theater

Courtesy of Hancock High School

The day before the opening night of Hancock College Preparatory High School’s theater showcase “Content Warning: Real Life,” the students in Sarah Baranoff’s Drama II and Drama III classes are thrumming with nervous excitement. In the darkened performance hall within the West Elsdon selective enrollment high school, students walk in and out with costumes in hand, leap on and off the stage, and chatter in the audience seats.

Stage & Screen

Total Immersion

Judy Hoffman’s ‘experimental and undefinable’ filmmaking kicks off Cinema 53’s second series

Ronit Bezalel

As the crowd trickled into the movie theater, Britney Spears played on the big screen. The footage, desaturated and shaky, cut between shots of Spears beaming and performing on stage and shots of her anxiously calling someone on her phone. But as the theater filled, the footage cut to an uncomfortably close still of Spears standing worried backstage while concertgoers’ cheers played in the background. What at first appeared to be a glitch quickly revealed itself to be an intentional choice made by the filmmaker—one that evoked an unsettling sadness for Spears’s situation.

History | Lit | Stage & Screen

Lorraine’s Legacy

How “Sighted Eyes / Feeling Heart” goes beyond “A Raisin in the Sun”

milo bosh

In May of 1937, eight-year-old Lorraine Hansberry moved with her family to a home in the all-white neighborhood of what is now West Woodlawn, in an act that helped fight a racially segregated housing system in Chicago. Two weeks ago, a crowd of over one hundred convened just a twenty-minute walk away from that same childhood home to watch Sighted Eyes / Feeling Heart, a new documentary honoring Hansberry’s life as both a playwright and activist.

Stage & Screen

The Queen of Bronzeville

An evening with Marlow La Fantastique

milo bosh

Before An Evening at the Chez Nous had even begun, Bronzeville native Marlow La Fantastique—whose career the event was celebrating—was already in her element. She worked her way about the room, doling out hellos and bisous with the grace of someone very familiar with the spotlight. That, of course, is an understatement. For decades, her relationship to spotlights was like a fish’s to the sea: she basically lived in them, performing not only in the States, but all over the world. Hers was truly a star-studded career, one with too many high points to easily identify any single apogee. But if forced to, one might point to La Fantastique’s time performing at the Cabaret Chez Nous, the famous West Berlin nightclub known for featuring drag queens and trans women performers as well as its celebrity patronage.

Stage & Screen

The Depths of Emily Dickinson

Kate Fry gives the poet new life

Courtesy of the Court Theatre

Whatever you think you know about Emily Dickinson will either be confirmed or completely recalculated after seeing the Court Theatre production of The Belle of Amherst, playing now through December 3. Playwright William Luce captures Dickinson’s mood and thought processes, nearly one hundred years after her death, with his purposefully meandering 1976 script. Rather than follow a linear timeline, the story takes the audience on a series of adventures—or, sometimes, misadventures—from different points in Dickinson’s life. Over the course of a day, while Dickinson bakes her favorite black cake, she recollects memory after memory, each lending itself to the next. Kate Fry, who plays Emily Dickinson, brilliantly gives the poet life, pulling in the audience immediately with a subtle peek through the fourth wall. She acknowledges we are in fact present, giving an informal invitation of sorts into her home. Once inside, we become readers of her poetry by sharing in her day-to-day intricate family dynamics, the gossip of neighbors, the pain of unrequited love, her work’s rejection by an esteemed critic, and even a few favorite baking recipes. Sometimes we are given the information by ordinary dialogue, but often the stories are woven together from the words from Dickinson’s actual poems.