Late into The Blazing Star, the new young adult novel by self-described “South Side girl” Imani Josey, the Prince of Egypt leads the main character, Portia, into a palatial dining hall. “Personally, I wouldn’t call our Hyde Park home luxurious, but we didn’t want for anything,” Portia said. “But this room was not luxurious. It was otherworldly.”
In Blues for an Alabama Sky, the play produced this winter by Court Theatre, worlds collided: the Harlem Renaissance came to Hyde Park. According to Court’s executive director Stephen J. Albert “to explore and extend the African-American canon” is still Court’s long-term project. The theater’s appreciation of African-American art and culture are especially valuable to Court’s audience; he says Court’s audience “gets on its feet” to applaud “stories that speak to [its] own history.” Court sought to meet this demand this winter by producing Blues for an Alabama Sky, a story of the lives of five neighbors in Harlem during the 1920s—and to go beyond just meeting it, they added a two-month-long festival as accompaniment.
On January 7, a chorus of voices sang tribute to the beloved Chicagoan poet, Gwendolyn Brooks. Their hushed Logan Center audience heard selections from the new anthology Revise The Psalm, a collection of works celebrating Brooks’s life, published by Curbside Splendor this month to commemorate Brooks’s one-hundredth birthday.
His attitude toward music is focused on learning and self-challenge, and not on audience pleasure per se.
By improvising within the expansive, adapting forms of Negroland, [Jefferson] ends up incorporating more voices than her own.