Education | Interviews | Music | Radio

SSW Radio: Sergio Mims, Plus Sign, and More

Students at the UIC FAST Adult Education and Career Transition - Center for Literacy work on exhibits for "Our City, Our Museum" (milo bosh)

This week on SSW Radio we continued our series on WHPK DJs, interviewed a local rapper, and heard from students developing museum exhibits telling their stories of their communities

Interviews | Music | Radio

Who’s Here and Who’s Not

Sol Patches unpacks their new album “Garden City”

Ellie Mejía

Sol Patches is a gender abolitionist artist from the South and North Sides who makes music influenced by poetry, theater, and black and brown queer and femme. Their new album Garden City includes a host of local collaborators including Hora English, Plus Sign, and Mykele Deville. The Weekly spoke with Sol Patches and Chaski, one of their collaborators, about the album.


Expanding Chicago’s Electronic Music Legacy

Chicago DJ Hieroglyphic Being cofounds an electronic music school to return House to its roots

Hieroglyphic Being (Jasmin Liang)

On a blustery autumn day in West Town, Chicago Phonic, a new educational center for electronic musicians, held its first public open house. Mixers, turntables, and computers were all neatly arranged in a room wrapped with lush, seafoam green wallpaper. Prospective students asked questions and milled around the narrow facility. Daryl Cura, one of Chicago Phonic’s founders, patiently answered questions on modern electronic productions while cracking open cold bottles of Peroni.

Interviews | Music | Radio

A Mural of Memories

Open Mike Eagle on commemoration, the Robert Taylor Homes, and how to keep going

Lizzie Smith

Open Mike Eagle, born and raised in Chicago, moved to Los Angeles after college, and for the most part, he didn’t look back. He joined the hip hop collective Project Blowed, formed the trio Thirsty Fish with Dumbfoundead and Psychosiz, released his first solo album Unapologetic Art Rap in 2010, and has a forthcoming stand-up and music show, The New Negroes, on Comedy Central that he will co-host with comedian Baron Vaughn. But on his most recent album, Brick Body Kids Still Daydream—a hazy, dark, powerful, and sometimes sweet recollection of the Robert Taylor Homes and their demolition, he comes home. The album reimagines the story of the Robert Taylor Homes, imbuing it with equal parts childhood fantasies, fuzzy memories, and the real-world darkness of a city that isolated, ignored, and then forcibly displaced thousands of its most vulnerable residents. This mix is perfectly encapsulated by the video for “Brick Body Complex”: Eagle plays Iron Hood, a superhero trying to warn residents that their building is coming down, fight back against gentrification, and stop the city’s demolition; in the end, at the moment when it seems Iron Hood has stopped the demolition, the cops show up to haul him off to jail.

Interview Issue 2017 | Interviews | Music

Out of Order

From child DJ to engineer to world tour artist, Jana Rush works backwards

Willis Glasspiegel

From the day she got her first ghettoblaster while growing up in Chatham, Jana Rush—aka JARu—has always been connected to Chicago music. Her ascent into the scene reads like folklore: at ten years, she called Kennedy-King’s WKKC 89.3 FM to schedule an audition. “Once they were done laughing,” Rush tells me, the DJs showed her the ropes, and juke icon Gant-Man took her under his wing. By 1996, Jana had put out a single and a split 12” with DJ Deeon on the legendary house label Dance Mania, where she was billed as “The Youngest Female DJ.”


Fresh Terrain

A review of The Flashbulb’s Piety of Ashes

When the Weekly profiled Benn Jordan (aka The Flashbulb) in July, he explained that he was always most eager to share new music that sounds nothing like  his audience had heard before—and Jordan’s new album Piety of Ashes, out September 1, does not disappoint. Every track is its own musical journey, but each transitions seamlessly into the next to create a cohesive album that covers sounds from the crunching of leaves and the blowing wind to metallic, electronic beats, all contributing to a complex narrative of transitions and loss.