Chicago Music News & Reviews | South Side Weekly

Crescendo and Allegro by Pilsen Classical

by Francisco Ramírez Pinedo September 11, 2023September 11, 2023

The chaotic basement concert series shows that classical music can thrive outside of its traditional, stifled context.

Music

Party Noire: A Home for Queer Black Joy

by Jasmine Barnes September 5, 2023September 5, 2023

Music

blood club’s Post-Punk Sound is More Global Than Ever

by Sofia McDowell De La Mancha September 3, 2023September 3, 2023

Music

Cabeza De Chivo’s Emblematic Sound Pulls From Chicago’s Diversity

by Jesús Flores September 2, 2023September 2, 2023

Welcome to the Music Issue

by Jocelyn Martinez Rosales and Christopher Good September 1, 2023September 1, 2023

Music

From Church Band to Strawberry Moon: Chicago’s Lester Rey’s Musical Evolution

by Ryan Rosenberger September 1, 2023September 1, 2023

On a Date with the Rapper Who Says Not to Date Rappers

by Luz Magdaleno Flores August 30, 2023August 30, 2023

‘Para Los Darks’: The Event Production Curating Events for Alternative Latinos

by Jocelyn Martinez Rosales August 27, 2023August 27, 2023

The South Side Inspires Them

by Paul Elliot and Jocelyn Martinez Rosales August 26, 2023August 28, 2023

Noname Brings the Party Home

by Kelli J. Smith August 25, 2023August 28, 2023