Before you heard Ric Wilson, you might have retweeted him. Last year, the twenty-two-year-old rapper, artist, and prison abolitionist posted a mash-up of Earth, Wind & Fire’s “September” and Migos’s “Bad and Boujee,” set to footage from an old Soul Train performance. The result broke 2.8 million views on Twitter.
This week on SSW Radio we talked with two new artists about their new releases and got a recap of Chicago’s bond system
Does a DJ have a responsibility to play the material he pioneered and honor the scene he came from? Or is their responsibility simply to please a crowd? If it’s the latter, is the obligation only to provide what the crowd, venue, and promoters want to hear? And what happens when all of this goes unchallenged for an entire evening?
This week on SSW Radio we talking with a beatmaker, heard from attendees of a public newsroom, and continued our series on WHPK community DJs.
When Tatiana Hazel uploaded her first singles to YouTube at the ripe old age of thirteen, it was clear she was destined for big things. With a very mid-2000s side sweep and original songs about first loves and first heartbreaks, Hazel expressed with grace and confidence what most of us only wish we could have during our teen years. In time, her style and subject matter drew in thousands of views, springboarding her career and encouraging her to pursue music on a more serious level.
This week on SSW Radio we turned our airwaves over to the WHPK community, sharing testimonies from listeners and DJs alike.
You won’t catch Nikko Washington storytelling through the mic like his Savemoney crew members.
As the old cliché goes, artists must “find their voices.” The rap duo Mother Nature, on the other hand, already know what they want to say. The two will waste no time telling you what they stand for: they’re a “badass group of MCs, coming to conquer the world through Black girl genius.”
This week on SSW Radio we continued our series on WHPK DJs, interviewed a local rapper, and heard from students developing museum exhibits telling their stories of their communities
Sol Patches is a gender abolitionist artist from the South and North Sides who makes music influenced by poetry, theater, and black and brown queer and femme. Their new album Garden City includes a host of local collaborators including Hora English, Plus Sign, and Mykele Deville. The Weekly spoke with Sol Patches and Chaski, one of their collaborators, about the album.