Too Main Stage For the Underground

Green Velvet’s Sound-Bar set disappoints

Lizzie Smith

Does a DJ have a responsibility to play the material he pioneered and honor the scene he came from? Or is their responsibility simply to please a crowd? If it’s the latter, is the obligation only to provide what the crowd, venue, and promoters want to hear? And what happens when all of this goes unchallenged for an entire evening?


Creating As She Goes

Tatiana Hazel's fearless, magnetic music

Renee Rolewicz

When Tatiana Hazel uploaded her first singles to YouTube at the ripe old age of thirteen, it was clear she was destined for big things. With a very mid-2000s side sweep and original songs about first loves and first heartbreaks, Hazel expressed with grace and confidence what most of us only wish we could have during our teen years. In time, her style and subject matter drew in thousands of views, springboarding her career and encouraging her to pursue music on a more serious level.

Arts Issue 2018 | Interviews | Music

State of Nature

Mother Nature is raising “the collective conscience of damn-near the world through hip-hop”

Kiran Misra

As the old cliché goes, artists must “find their voices.” The rap duo Mother Nature, on the other hand, already know what they want to say. The two will waste no time telling you what they stand for: they’re a “badass group of MCs, coming to conquer the world through Black girl genius.”

Interviews | Music | Radio

Who’s Here and Who’s Not

Sol Patches unpacks their new album “Garden City”

Ellie Mejía

Sol Patches is a gender abolitionist artist from the South and North Sides who makes music influenced by poetry, theater, and black and brown queer and femme. Their new album Garden City includes a host of local collaborators including Hora English, Plus Sign, and Mykele Deville. The Weekly spoke with Sol Patches and Chaski, one of their collaborators, about the album.