Although the interior of the Hyde Park Art Center (HPAC) appears quite new, with its lime green walls illuminated with bright lights, don’t be fooled––last year marked the Center’s 75th anniversary. Earlier this year, however, thanks to a generous donation from the Guida family, HPAC was able to fund an expansion of the second story of its building. Along with the new space, named the Guida Family Creative Wing, HPAC has introduced several new initiatives that seek to further its mission; on November 8, they opened their doors wide to the public for several artist talks and presentations in the newly opened wing.
HPAC’s mission since its opening in 1939 has been to help contemporary artists with the production of their works and to engage the greater community with art. With the new 5,000 square-foot wing, HPAC will be able to expand opportunities for established artists and interested art students alike. According to Mike Nourse, HPAC’s Director of Education, the wing is “helping [HPAC] do the work of [its] mission a little bit more and in new ways […] to gather people, to connect people, to celebrate their works, and to connect them to [the] audience.”
Remodeled by the Art Center’s original architect, Grant Gibson, the second story Creative Wing is filled with exciting new spaces, which Nourse explains include a large, open hall “available for artist talks, presentations, even critiques, and for the public and our community to use in different ways,” as well as a sculpture garden, and allows for more in-studio interaction with artists-in-residence.
With the extra space, HPAC was also able to add a new learning center to house several of the youth programs. There are currently five tuition-free teen programs and seven youth programs offered, and the center helps to distribute the many students at HPAC on any given afternoon. “It’s basically their space,” added Nourse. In the most recent youth event in the new space, he said, students organized their own pop-up art show and simply kicked back to make art.
This October, HPAC announced a new initiative to provide three full-tuition awards for youths and families, as well as an unspecified number of half-tuition awards; both are based on demonstrated financial need and the thoughtfulness of application responses. These programs build on previous initiatives like Second Sunday, a free program started a decade ago that brings together artists and families for activities on the second Sunday of every month, and during which everyone is welcome to hang up their artwork for free. Another significant continuing program is the student outreach that HPAC runs. “We actually go out into the [middle] schools,” says Candice Latimer, one of the arts teachers for the youth program. “We bring art supplies, and lessons, and a lot of the times they connect with [the teens’] academic subjects.”
Before the renovations, there were only seven studios, and all were behind locked doors. But as part of the Jackman Goldwasser Residency, three rental studios have been added to the original seven, and the rental period for artists has been extended from one to three years. The doors of the new studios stand open to the public, making the space more accessible and welcoming. As we were contemplating the artwork on display by Eric J. Garcia, a visitor said that she sometimes shares values similar to the artist’s through their works, but that she never really had the opportunity to see the artists’ studios. The wing offers the opportunity to do just that––to give the public insight into various artists’ works and their processes of creating.
Among the artists present at the wing opening were Sheri Rush, whose work has been shown at HPAC, and Steve Juras, an arts advocate and educator, both of whom are working mainly on large-scale paintings. They seemed eager to be working in the wing. “The opportunities here are fantastic, today being one of them, where we can open up the studio to people like yourselves to see the work and have a conversation,” Juras said. I felt a similar degree of excitement, which emphasizes just how much artists and the public alike stand to benefit from such interactions.
Juras said that working in the studios has “been very beneficial, just us talking about our work back and forth, because many times you can get stuck in your studio and you have very little outside contact, and you’re looking for some sort of interaction. So to say that this place is very interactive is very true.” Another artist, Kunal Sen, said, “this is fantastic for me because before this, I’ve been working in my own basement, and a studio is so much better than a basement […] It’s very important for me to be in a place where I can meet other artists; at my workplace I don’t meet other artists.”
As a new studio tenant in an Arts Center that is working to keep the distance between artist and community at a minimum, Sheri Rush offered a couple relevant words of advice on being an artist that could very well to apply to anyone with an interest in the arts: “Keep pushing. Don’t isolate. Find a network of working artists to meet with on a weekly basis.”