Stage & Screen | Visual Arts

Between the Three of Us

The Petty sisters meditate on growing up on the South Side

Members of the audience of "South Side Sisterhood" (Sarah Thomas)

The home movie clip shown at the beginning of “South Side Sisterhood” was simple. A toddler waddled around in a diaper; his siblings smiled and made faces at the camera. The trio were doing what many siblings do: simply being together.

Bridgeport | Education | Visual Arts

Bridgeport Elementary Schoolers Map Their Neighborhood

Educators with the Hull-House Museum work with Armour students to consider their community

Jie Wang's map (Jason Schumer)

On Wednesday, June 13, the 8th grade class from Philip D. Armour Elementary gathered in the backroom of Bridgeport Coffee, five blocks north on Morgan Street from their school building, to celebrate the maps they had created of Bridgeport. For eight weeks, in collaboration with the Jane Addams Hull-House Museum at the University of Illinois at Chicago, the students had perused archival collections of Bridgeport and other neighborhoods and learned about the ways in which maps represent communities. “Mapping the Neighborhood,” the name of their exhibition, featured maps of varying scale, focus, and artistic style in an attempt to answer a question: how is Bridgeport changing?

Nature | Stage & Screen | Visual Arts

Sites for Leisure, Sites of Danger

Artists and activists discuss reclaiming parkland as a public space

Courtesy South Side Home Movie Project

When L. Anton Seals, Jr. was growing up in South Shore, he and his family would often spend weekend nights camped out in Chicago’s public parks. Back then, he said, his family and friends took the Chicago Park District’s 11pm closing time as a suggestion, not a rule: “[We were like], how the park gon’ close at 11 o’clock?… Who gives you the right to close the earth?”

Lit | Visual Arts

Sitting With Gwendolyn

A new sculpture will be unveiled to celebrate the life and work of Gwendolyn Brooks

Margot McMahon and Nora Brooks Blakely with a group of Ariel Elem Academy students (Provided)

We step off the porch, and come through the stepping stones,” sculptor Margot McMahon said, leading an impromptu tour for the Weekly of her new installation commemorating revered South Side poet Gwendolyn Brooks at her namesake Kenwood park last week. Starting in front of a small porch structure—representing the Bronzeville porch on which Brooks wrote her first poetry as a child—the flagstones meander in a curved line, etched with excerpts from Brooks’s book-length poem Annie Allen. The poem follows the story of a young girl growing into a woman in Bronzeville; it resulted in Brooks becoming the first Black writer to be awarded the Pulitzer Prize.

Nature | Visual Arts

Growing Neighborhoods

An art exhibit connects local goals and larger climate problems

Courtesy of Jenny Kendler

Garden for a Changing Climate,” the traveling public art project by artist Jenny Kendler, has grown as organically as one of its mobile planters.

Photo Essay | Visual Arts

Art for Everybody

Blackstone Bicycle Works’ second annual art show

J. Michael Eugenio

Last week, the Experimental Station in Woodlawn hosted the opening of the second annual “Bike Shop Art Show,” featuring work created by participants and volunteers of Blackstone Bicycle Works—which, like the Weekly, is housed within the Experimental Station—and organized by Experimental Station assistant director Matthew Searle. Blackstone’s youth arts program is coordinated by Experimental Station lead teaching artist Tita Thomas in partnership with the University of Chicago’s South Side in Focus program.

Police | Visual Arts

Remembering the Riots, Fifty Years Later

Artists and activists explore the question of how much Chicago, and the Chicago police, have changed since 1968

Maddie Anderson

Fifty years after the Kerner Report, are we going backwards? This is the underlying question of “April 1968 and Today: Police and Military Occupation of Chicago” at the Uri-Eichen Gallery in Pilsen, part of the gallery’s five-month series “Unfinished Business: 1968-2018.”

Visual Arts

Mirror to the Community

Graffiti artists reinterpret the themes of "Wall of Respect" for a new generation

Rod Sawyer

If you take a ride on the Jackson Park Express bus—going either way on Hyde Park Boulevard past Cornell Avenue—you’ll catch a glimpse of a relatively new, large-scale mural on the south wall of the Hyde Park Art Center (HPAC).

Visual Arts

Reflections on a Tender Power

Two artists on the experiences of Black women

milo bosh

On Friday the 13th, Rootwork Gallery, an arts space in east Pilsen, felt inviting and meditative as people arrived for the artists’ talk of “A Tender Power: A Black Womanist Visual Manifesto.” Soft music played as the founding curator of Rootwork, Tracie D. Hall, greeted attendees, answered questions, and served portions from an epic vegan lasagna to early arrivals.