Between Pilsen and Bridgeport, between the Eleanor Boathouse’s spiked rooftops and the factories lining Bubbly Creek, sits the Floating Museum’s latest project, a barge that aims to carry collaborative, site-specific art along the Chicago River. The soft rumble of nearby traffic and the shouts of high school rowing coaches fill the humid August air.
Bianca Betancourt, founder and editor-in-chief of CIRCUS Magazine, sits in the magazine’s 18th Street storefront. A neon CIRCUS logo casts her curls in electric blue light while Cherokee, her eight-year-old German Shepherd, greets passersby with howls.
Vida Cross’s Bronzeville at Night: 1949 is full of spells—spells to protect children, spells to blind ignorant sociologists, spells to aid in grieving and remembrance. The poet, professor, and third-generation Chicagoan’s debut poetry collection is a web of stories that, like spells, are small in scope and broad in impact.