Visual Arts

Art Aquatic

Muralists and the Shedd Aquarium showcase the beauty of underwater animals throughout the city

Sam Kirk and Jenny Q. work on their mural in West Englewood (Rod Sawyer)

On a sunny day in West Englewood, cars zoomed past as a new mural was being laid out on the side of 15th Ward Alderman Raymond Lopez’s office. What started out as a simple blue background took on layers of vibrant blue and purple tones, with dashes of yellow and white for contrast. Every now and then, artists Sam Kirk and Jenny Q. stood back to admire their work and gain perspective on what needed to be added next.

A small chain fence enclosed the area so Kirk and Q.—who have collaborated on projects before, including a mural in Casablanca, Morocco, and a coloring book called As Queer As I Wanna Be—were able to spread their materials out. On the other side of the fence, members of I Grow Chicago—a nonprofit in the neighborhood that provides safe spaces for residents to learn and practice art, health, and local impact—and the Shedd Aquarium were setting up for a small station area for kids to paint. The quiet area soon became alive with energy as the kids began to paint.

Kirk and Q.’s mural was part of the Shedd’s new exhibit “Underwater Beauty,” which aims to showcase the beauty of a variety of species of aquatic animals. In addition to the exhibit and the murals, the Shedd curated a mobile aquarium that gave participants the chance to interact with local Great Lakes species and complete scientific activities. The mobile aquarium rolled through Douglas Park, Jackson Park, Altgeld Gardens, Auburn Gresham, Austin, and Humboldt Park in July. Caitlin McElroy, manager of government relations at the Shedd, pointed out that the mobile exhibit was another way to engage with youth in Chicago communities, and that while “people think of the Nemos and the fun bright fish as being really far out there, we have some really cool fish right here in the Great Lakes and in our rivers” that can help spark more interest in aquatic fields of study.

Rod Sawyer

Rod Sawyer

Sea creatures like the spotted sea jelly can be found swimming through one of the three important categories in the exhibit: Rhythms, Pattern, and Color. Walking through the exhibit places the viewer inside the ocean, with lighting evocative of ocean waves and a wide variety of fish species swimming by.

You might run into the weedy seadragon, one of two species of seadragons that is usually found along the southern and western coasts of Australia. These seadragons are slow-moving and use their unique camouflage to resemble swaying seaweed to avoid predators.  

Weedy Seadragon (Rod Sawyer)

Weedy Seadragon (Rod Sawyer)

If you look closely, you may also spot the ribbon eel, which surprises everyone by flashing in and out of hiding. Scientists think the eel is a protandric hermaphrodite: although all eels are born male, they have the ability to transition from male to female when it becomes necessary for the survival of the species in their area.

Following its opening, the Shedd commissioned five artists to create murals that help to draw students into taking more interest in aquatic beauty. The artists—Sam Kirk in West Englewood; Lavie Raven, who created a mural on the side of a beauty shop in Bronzeville; Jason Brammer, who painted on the side of a Logan Square bar; Caesar Perez, whose mural appears on the side of an Edgewater diner; and Anthony Lewellen, whose work appears on the side of a pub in west suburban Forest Park—were recruited by the Shedd to first view the exhibit in its entirety, and pick an animal that stood out to them for their mural. The spotted sea jelly, weedy seadragon, and ribbon eel all made the pick.

Each sign in the exhibit is crafted to give you a visual idea of the different patterns of species in the room (Rod Sawyer)

Each sign in the exhibit is crafted to give you a visual idea of the different patterns of species in the room (Rod Sawyer)

Jo-Elle Mogerman, the Shedd’s vice president of learning and community, talked with the Weekly about this process, and how allowing the artists to choose what animals they represent in their murals helped them connect the idea of beauty to what residents are already familiar with. Mogerman said the Shedd wanted artists to go through the exhibit and take away “this notion that…[these animals are] so beautiful that [they’re] worth saving” and then “translating [that] in their own artistic way and through their own cultures, to put that back out to the city,” she said.

Lavie Raven is a Chicago native, artist, and educator at North Lawndale College Prep, a charter school. On a quiet morning, I rolled up to a wall on 35th and Calumet to find Raven with an already completed background of misted yellow, pink, and white colors, settled nicely on a blue background. Almost complete was the face of a girl with braids that started to flow into the background. Raven told me that he had tried to sleep the night before, but in his excitement had ended up getting to the wall around 5:30 that morning. How he managed to paint an entire production wall almost completely by himself with only a few hours of sleep is still a mystery, yet it’s an accomplishment that wouldn’t be a first for Raven. He showed me his sketch, done on paper with color paper with attachable drawings, containing coral reefs, small fish made up of words of empowerment such as “Black boy you can pick flowers don’t mind the other kids black boy…” and electric eels swimming by the little girl on top of the phrase “Beauty Worth Saving.”

Lavie Raven painting his mural in Bronzeville (Rod Sawyer)

Lavie Raven painting his mural in Bronzeville (Rod Sawyer)

As Raven painted, people and cars going by began to interact with the new work in different ways. One man stopped his car to get out and take a picture with Raven; others asked Raven questions about his technique and other murals; still others praised the ongoing work. The community’s engagement with the art, especially in such a direct manner with the artist as the work was going up, chimed well with the Shedd’s vision for the murals as places for public engagement, and is part of what makes the process of creating a mural so important for the artist and community.

Kirk created her own perspective of the underwater beauty exhibit in West Englewood. Like Raven’s mural, there was a lot of community interaction between the artists and the mural despite the chain linked fence that separated the paint stations for the kids and the mural being created.

Sam Kirk and Jenny Q. work on their mural in West Englewood (Rod Sawyer)

Sam Kirk and Jenny Q. work on their mural in West Englewood (Rod Sawyer)

Mural projects like this are especially important to Kirk because there tends to be a lack of investment in art in communities of color. “A lot of my murals happen to be in working class communities,” she told the Weekly. “The biggest difference is when you’re working in a [working-class] community, people are more curious and ask more questions, which I appreciate because then you understand how your work is impacting people that walk past.” It can also help spark a conversation around the perception of public art as a sign of gentrification—a way to paint a community as culturally rich, but only so developers can attract wealthy buyers, displacing residents in the process. Kirk, for her part, defended murals, saying, “A lot of times as artists since this is what is seen right away, we get pulled into that conversation…we should be able to live in neighborhoods where public art is a regular thing without artists being blamed that they’re adding to gentrification.” She continued, “To me it’s a question more to the alderman and to the city, and the city government, as far as what are they doing to make sure that neighborhoods are being invested in and people aren’t being pushed out at the same time.”

But while conversation happens, Kirk also said that it’s sometimes hard to tell how an artwork is being received. This lack of conversation isn’t always a bad thing—it allows the community to soak in a work before having to give their opinion, an important technique for communities that primarily associate public art with gentrification. For Kirk, that means practicing patience. “Sometimes you gotta sit back and watch people’s reaction,” she said. “Because there’s not a lot of conversation.”

Underwater Beauty.” The Shedd Aquarium, 1200 S. Lake Shore Dr. Exhibit runs through 2019. Open on weekdays from 9am–5pm, and 9am–6pm on weekends. Regular admission for Chicago residents $14.95–$19.95; free for Illinois residents October 10. (312) 939-2438. sheddaquarium.org

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Rod Sawyer is a photojournalist based on the South Side, focusing mainly on covering graffiti and mural-art. He last wrote for the Weekly in May about the Hyde Park Art Center’s tribute to the Wall of Respect.

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