On a sunny day in West Englewood, cars zoomed past as a new mural was being laid out on the side of 15th Ward Alderman Raymond Lopez’s office. What started out as a simple blue background took on layers of vibrant blue and purple tones, with dashes of yellow and white for contrast. Every now and then, artists Sam Kirk and Jenny Q. stood back to admire their work and gain perspective on what needed to be added next.
“When you are surrounded by darkness I will be your light, say my name, Pound! Pound! Pound! That’s the sound of the time for us to wake up, don’t make my life a hashtag, say my name and make my life a legend.” – Royal
If you take a ride on the Jackson Park Express bus—going either way on Hyde Park Boulevard past Cornell Avenue—you’ll catch a glimpse of a relatively new, large-scale mural on the south wall of the Hyde Park Art Center (HPAC).
When Anne Keough, the branch manager at Blackstone Library, looked in the cabinets behind her desk during recent renovations, she didn’t expect to find a treasure trove of historic documents. Blackstone Library opened in Kenwood in 1904 as the first branch of the Chicago Public Library system. In Keough’s office sat volumes of Shakespeare from the late 1800s, old copies of the Hyde Park Herald, and decades-old library policies. Weekly editor Rod Sawyer spoke with Keough about her discoveries, the history of the Chicago Public Library System, and the importance of time capsules.
This week on SSW Radio, we spoke with a home baker, a library branch manager, and heard stories from Englewood Speaks
Gloria “Gloe” Talamantes is a graffiti educator, artist, Chicago native, and founder of the Brown Wall Project. Gloe created this public art initiative in Little Village in 2006 to beautify the city by painting on walls that the city has buffed—the practice of painting over walls with brown paint to remove graffiti. The Weekly sat down with Gloe to talk public art, erasure, and community engagement.
Years ago, the artist and graffiti-writer Miguel Aguilar, also known as Kane-One, came to the School of the Art Institute of Chicago (SAIC) as an undergraduate with little classroom art training, but with experience in street art stretching back to age thirteen.