The home movie clip shown at the beginning of “South Side Sisterhood” was simple. A toddler waddled around in a diaper; his siblings smiled and made faces at the camera. The trio were doing what many siblings do: simply being together.
On Wednesday, June 13, the 8th grade class from Philip D. Armour Elementary gathered in the backroom of Bridgeport Coffee, five blocks north on Morgan Street from their school building, to celebrate the maps they had created of Bridgeport. For eight weeks, in collaboration with the Jane Addams Hull-House Museum at the University of Illinois at Chicago, the students had perused archival collections of Bridgeport and other neighborhoods and learned about the ways in which maps represent communities. “Mapping the Neighborhood,” the name of their exhibition, featured maps of varying scale, focus, and artistic style in an attempt to answer a question: how is Bridgeport changing?
When L. Anton Seals, Jr. was growing up in South Shore, he and his family would often spend weekend nights camped out in Chicago’s public parks. Back then, he said, his family and friends took the Chicago Park District’s 11pm closing time as a suggestion, not a rule: “[We were like], how the park gon’ close at 11 o’clock?… Who gives you the right to close the earth?”
We step off the porch, and come through the stepping stones,” sculptor Margot McMahon said, leading an impromptu tour for the Weekly of her new installation commemorating revered South Side poet Gwendolyn Brooks at her namesake Kenwood park last week. Starting in front of a small porch structure—representing the Bronzeville porch on which Brooks wrote her first poetry as a child—the flagstones meander in a curved line, etched with excerpts from Brooks’s book-length poem Annie Allen. The poem follows the story of a young girl growing into a woman in Bronzeville; it resulted in Brooks becoming the first Black writer to be awarded the Pulitzer Prize.
Garden for a Changing Climate,” the traveling public art project by artist Jenny Kendler, has grown as organically as one of its mobile planters.
Last week, the Experimental Station in Woodlawn hosted the opening of the second annual “Bike Shop Art Show,” featuring work created by participants and volunteers of Blackstone Bicycle Works—which, like the Weekly, is housed within the Experimental Station—and organized by Experimental Station assistant director Matthew Searle. Blackstone’s youth arts program is coordinated by Experimental Station lead teaching artist Tita Thomas in partnership with the University of Chicago’s South Side in Focus program.
This week on SSW Radio we heard about summer plans for a beloved hot dog stand, a candid intergenerational conversation on domestic violence, and a harrowing story about a trip to Beverly.
If you take a ride on the Jackson Park Express bus—going either way on Hyde Park Boulevard past Cornell Avenue—you’ll catch a glimpse of a relatively new, large-scale mural on the south wall of the Hyde Park Art Center (HPAC).
On Friday the 13th, Rootwork Gallery, an arts space in east Pilsen, felt inviting and meditative as people arrived for the artists’ talk of “A Tender Power: A Black Womanist Visual Manifesto.” Soft music played as the founding curator of Rootwork, Tracie D. Hall, greeted attendees, answered questions, and served portions from an epic vegan lasagna to early arrivals.