The Renaissance Society is a contemporary art space at the University of Chicago that has a very strong character when it comes to architectural design. Artist David Maljković describes it as a “monumental space that is one dimensional with a really particular condition of light.” The vinyl floors are so present—not concrete or plastic—they are tactile. Known for his collaborative approach to curation and attention to details, Maljković worked with Renaissance Society curator Karsten Lund for the exhibit “Also on View,” to select works that complement the space. The Weekly’s Manisha AR sat down with both artist and curator to go behind the scenes of the exhibit and talk about the ways in which the space inspired the show. You can read the review of the show here.
Do you ever wonder about the little things that inspire an artist to create a body of work? Everyone has a process. David Maljković’s exhibit “Also on View” offers viewers a chance to explore that process. The exhibition borrows its name from the same term used by museums to promote smaller or ongoing shows—the phrase “Also on View” applies to shows that aren’t the main draw in the museum, while still encouraging visitors to explore them. Except you would think that Maljković’s work is the main attraction, right?
In her debut album Alone at Last, Tasha—poet, activist, and singer-songwriter—digs into themes of music as healing and radical softness as a political act; the sweatshirts she crafted to sell along with the album are embroidered with “I love myself and hate police.” In an interview with the Weekly, Tasha describes her journey of creating Alone at Last, from self-releasing the Divine Love EP in 2016, to signing with Father/Daughter Records last year, to her debut release this October. Listen to a full version of this interview that aired on SSW Radio, the Weekly’s radio show and podcast:
Driving around Black neighborhoods in Chicago, you see a lot of currency exchanges. While reporting on wealth in Black communities this summer, Tonia Hill wanted to know what their impact is on working class communities of color and why it seems as though there are more of these types of financial services in South Side communities than banks.
When we last profiled Ciera Mckissick, she was putting on fashion shows as part of her residency at the Chicago Art Department and editing AMFM, her online culture magazine, while harboring ambitions of opening an artist collective space in Pilsen. In the two and three-quarter years since then, she made that dream a reality, opening an AMFM storefront gallery on 21st Street that quickly garnered city-wide acclaim. Shortly after this interview aired on SSW Radio in August, Mckissick announced in a Facebook post that disputes with AMFM’s neighbors and landlords have resulted in the gallery being booted out of its space. True to form, it celebrated its tenure with a closing party, and has continued to put on outside events, like the close of its three-part West Side food and music festival FEAST. It has also raised over $1,400 in a fundraiser to secure a new physical space for the collective. This interview has been edited for length and clarity; listen to the full version of this interview that aired on SSW Radio, the Weekly’s radio show and podcast.
Illinois has been making moves toward reducing incarceration, but there is a large group of people who are being left behind. People like twenty-one-year-old Joe Montgomery, who have been sentenced with Class X felonies, make up almost a third of Illinois’ prison population, according to the Illinois Department of Corrections. Some say these individuals who need the most help are instead left with few options but prison. City Bureau reporters Sajedah Al-khzaleh and Bia Medious spoke with Montgomery’s friends and family about the hole his absence means to his community.
When I meet Matt Muse on a bright August morning, the South Side-raised rapper is on top of his game. The night before our interview at WHPK 88.5 FM’s broadcast station in Hyde Park, he’d doubled as featured artist and host for Young Chicago Authors’ WordPlay, the city’s longest-running open mic. Earlier in the summer, he’d performed at Taste of Chicago and Fox 32’s Good Morning Chicago, and in the days to come, he’d head out to New York City for a sold-out performance with Sofar Sounds and to celebrate his twenty-sixth birthday.
Melkbelly—comprised of Miranda Winters (guitar and vocals), Bart Winters (also guitar, and Miranda’s husband), Liam Winters (a bassist and Bart’s brother), and James Wetzel (drums)—recently sat down with SSW Radio in its cozy practice space in East Garfield Park. Amongst Christmas lights, a number of effects pedals, and jamming from adjacent practice rooms, Melkbelly’s members shared their feelings about their recent tours—headlining in Europe and supporting bigger names like Protomartyr and The Breeders—and provided a new meaning to the term yard sale. This interview has been edited for length and clarity.
Tracye Eileen is living her dream. At eight years old, too shy to act in the school play, her teacher asked her to perform one of the play’s songs. From there, she caught the singing bug. Fast forward to today: Tracye has a label, Honey Crystal Records, and a residency at Buddy Guy’s Legends in the Loop, where she performs monthly jazz and blues sets. And last Sunday, she celebrated the release of her newest album, WHY DID I SAY YES. The Weekly sat down with Tracye Eileen to talk about her new music and career. This interview has been edited for length and clarity.
This week on SSW Radio we heard about summer plans for a beloved hot dog stand, a candid intergenerational conversation on domestic violence, and a harrowing story about a trip to Beverly.