Jimena migrated to the United States with her parents and two siblings when she was five years old. For a long time, she tried to suppress her memory of crossing the border. It wasn’t until she was a lot older that she was able say that it wasn’t a dream.
Melkbelly—comprised of Miranda Winters (guitar and vocals), Bart Winters (also guitar, and Miranda’s husband), Liam Winters (a bassist and Bart’s brother), and James Wetzel (drums)—recently sat down with SSW Radio in its cozy practice space in East Garfield Park. Amongst Christmas lights, a number of effects pedals, and jamming from adjacent practice rooms, Melkbelly’s members shared their feelings about their recent tours—headlining in Europe and supporting bigger names like Protomartyr and The Breeders—and provided a new meaning to the term yard sale. This interview has been edited for length and clarity.
Tracye Eileen is living her dream. At eight years old, too shy to act in the school play, her teacher asked her to perform one of the play’s songs. From there, she caught the singing bug. Fast forward to today: Tracye has a label, Honey Crystal Records, and a residency at Buddy Guy’s Legends in the Loop, where she performs monthly jazz and blues sets. And last Sunday, she celebrated the release of her newest album, WHY DID I SAY YES. The Weekly sat down with Tracye Eileen to talk about her new music and career. This interview has been edited for length and clarity.
This week on SSW Radio we heard about summer plans for a beloved hot dog stand, a candid intergenerational conversation on domestic violence, and a harrowing story about a trip to Beverly.
Before you heard Ric Wilson, you might have retweeted him. Last year, the twenty-two-year-old rapper, artist, and prison abolitionist posted a mash-up of Earth, Wind & Fire’s “September” and Migos’s “Bad and Boujee,” set to footage from an old Soul Train performance. The result broke 2.8 million views on Twitter.
This week on SSW Radio we talked with two new artists about their new releases and got a recap of Chicago’s bond system
Diana Quiñones Rivera is a filmmaker from Puerto Rico who moved to Chicago in November 2015. While she was a 2016 fellow in Kartemquin Films’ Diverse Voices in Docs program, she lived in Woodlawn for a year before moving to Avondale. Her new short film “D on the South Side,” which was screened in January and February as part of Collaboraction Theatre’s winter festival, deals with her time living in Woodlawn. “It was tough living in Woodlawn,” Rivera said. “I guess I didn’t expect it to be as segregated. I knew it was segregated but I didn’t think it was going to be a place where I would feel uncomfortable, and it [was].” Invited to make the film by the organizers of long-running weekly performance series Salonathon, Rivera’s experience with Woodlawn’s racial dynamics were a good fit with the Collaboration festival, which was titled “Encounter.” Its focus was on “racism and racial healing in Chicago.”
As the old cliché goes, artists must “find their voices.” The rap duo Mother Nature, on the other hand, already know what they want to say. The two will waste no time telling you what they stand for: they’re a “badass group of MCs, coming to conquer the world through Black girl genius.”
In the past few years, H.L. Anderson has exhibited work at several galleries throughout the South Side and beyond, from the Bridgeport Art Center to Rootwork in Pilsen to the Chicago Cultural Center. But, her latest endeavor is closer to home—her own H.L. Anderson Arts & Culture Studio in her home base, Washington Heights. She opened the studio in September 2017 with the exhibition “An Angel Called Junebug,” and with the studio, she’s also started conversations about what an arts community in Washington Heights can look like. One of those conversations has resulted in vision boards that she’s set up around the studio.
Alexander Tadlock, an artist born in California and raised in Tijuana, Mexico, was commissioned by the Mexican National Electoral Institute (INE) to paint a mural in Little Village. Located on 26th Street and Troy Street near the iconic Little Village Arch, Tadlock’s mural serves to persuade Mexican immigrants living in Chicago that if they register as voters in Mexico, their votes will be crucial in Mexico’s general elections that begin this July.